The challenges of making the Daily Wire's latest film project
In this Daily Wire interview, they discuss the making of Run, Hide, Fight: Infidels, which is their project for focusing on the issue of Islamic terrorism:
Ben Domenech: Dallas, before we start talking about this movie, which was something that was important for you to do, talk about the decision to go in this direction — one that was a little fraught, just given the topic area and the fact that you were going to take a new and different genre approach to this, I would say, than perhaps you had before while staying in the same family. Walk me through a little bit about the decision processes that led up to deciding to make this movie.I definitely hope they make sure to employ good security for their project contributors as well. If anything, I'm glad they're now tackling a challenging issue like this, and hope they don't allow intimidation to get in the way. Otherwise, serious subjects will not be focused upon or dealt with. I wish the Daily Wire staff good luck with producing this item.
Dallas Sonnier: You don’t hire me to produce a movie if you’re trying to make something for Hallmark, let’s say, and you don’t hire someone normal or reasonable when you’re going to make these kinds of movies. And so I am, in certain ways, built for this moment, just because of the movies that I’ve made and the career I’ve built, and learning how to make high-budget movies for low-budget money. And we always get nice big stars in these movies and the explosions look big. The part of my career I’m most proud of is building this type of movie-making. And so that’s how it gets made. Now the genesis of it was a conversation between me and Mike Richards, the new Daily Wire CEO, Ben Shapiro, and the writer-director of the original “Run Hide Fight” movie, Kyle Rankin.
The four of us got on the call, and we said, “Hey, we should really consider making another ‘Run Hide Fight’ movie. It does so well on the platform, and it’s so successful for us, and we want to go bigger and better.” And so that’s how it came about. And then we battered around some ideas, and Mike Richards was really inspired by the student protests at Columbia University, but most importantly, the counter-protest normal students, so to speak, who fought back and wanted to go to school and go to class and not be interrupted by this pro-Palestine nonsense. So that’s the genesis of the movie and how it came to be and how we go about it. [...]
BD: Just to circle back to the Islam question, there is real concern when you engage in a project like this that the threats that come through are more meaningful and more real than perhaps the long-distance threats of nation-states and the like. Now that may not always be true. There are plenty of documentarians and journalists and people like that who Russia has reached out and targeted over the years in places that are not Russia, despite their insistence on trying to have the same frequency of falling out windows in London. They have not achieved that same level, but it does seem to me that there is always an additional risk that comes when you’re seizing on this topic area. How much of a concern was that for the participants in this production? Did you have to work through their own concerns about this, just given that there’s a reason that there’s not a Charlie Hebdo that involves evangelical Christians?
DS: Sure. We cast the terrorists in the movie mostly from the stunt community. And so I joke around a lot as a proud conservative and as almost a right-wing filmmaker at this point. I joke around that we can’t name our favorite conservative chef because they don’t exist. Conversely, you can’t name your favorite liberal stuntman because they don’t exist. And so when you’re leaning into a really tricky role that has a lot of action and violence and things like that, the trick is to cast a stunt person and then help them get the performance. And so we were unbelievably blessed with that group of guys.
Labels: anti-americanism, anti-semitism, communism, dhimmitude, islam, jihad, misogyny, racism, sexual violence, showbiz, terrorism, United States





